Jean-Baptiste Camille Corot(July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. | |||
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Honfleur, maisons sur Le quais Måleriet identifieringen:: 84245 Titta min galleri i Sverige |
Honfleur, maisons sur Le quais Date 1830(1830) Medium Oil on canvas cjr Date_1830(1830) _ Medium_Oil_on_canvas _ cjr |
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Erinnerung an Mortefontaine Måleriet identifieringen:: 85828 Titta min galleri i Sverige |
Erinnerung an Mortefontaine Date 1864(1864) Medium Oil on canvas Dimensions 65 x 89 cm cjr Date_1864(1864) _ Medium_Oil_on_canvas _ Dimensions_65_x_89_cm _ cjr |
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Stadt und See von Como Måleriet identifieringen:: 86475 Titta min galleri i Sverige |
Stadt und See von Como Date 1834(1834) Medium Oil on canvas Dimensions 29,5 x 42 cm cjr Date_1834(1834) _ Medium_Oil_on_canvas _ Dimensions_29,5__x__42_cm _ cjr |
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Ansicht von Villeneuve-Les-Avignon, Das Fort Saint-Andre Måleriet identifieringen:: 86810 Titta min galleri i Sverige |
Ansicht von Villeneuve-Les-Avignon, Das Fort Saint-Andre Date 1836(1836) Medium Oil on canvas Dimensions Deutsch: 38,3 x 56 cm cjr Date_1836(1836) _ Medium_Oil_on_canvas _ Dimensions_Deutsch:_38,3__x__56_cm_ cjr |
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Chateau de Rosny Måleriet identifieringen:: 87156 Titta min galleri i Sverige |
Chateau de Rosny Date 1840(1840) Medium Oil on canvas Dimensions Deutsch: 24 x 35 cm cjr Date_1840(1840) _ Medium_Oil_on_canvas _ Dimensions_Deutsch:_24__x__35_cm_ cjr |
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| Jean-Baptiste Camille Corot | ||||||||||
| (July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. | ||||||||||
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